Categoría: GENERAL

La música europea y latinoamericana del siglo XVIII

The role of development of the guitar and the changing performance techniques on evolution of “folia variations” writen for the guitar

Fantasia X from El Maestro By Luis Milán. Historical Background, Modal Analysis, and Transcription for Guitar Solo

Solo Lyra Viol music of Tobias Hume (1579-1645):Historical context and transcription for modern guitar

Transcribing the gamba music of Marin Marais to the guitar

Thoughts on Scarlatti´s “Essercizi per gravicembalo”

Incidencia de una forma de trabajo en la representación de los instrumentos musicales: la copia de códices en la Edad Media

Charlie Patton (1881?-1934).Pionero en el Blues del Delta

Casos curiosos, peculiaridades y formas alternativas de anotar la música en el área hispánica en el siglo XVII. Procesos de intercambio entre lo culto y lo popular

Baldomero Cateura (1856-1929) y la mandolina española

Preludes, Cadences and Composition for Guitar in 19th-Century Teaching Practice

Arquetipos hispanos en la obra de Manuel de Falla

J. A. Hudleston (1799-1865) A Guitarist in Nineteenth Century India

Georgina Gregory guitar manuscript.Edimburg c.1830-40

Scarlatti y Soler o la sonata a la española

Joaquín Rodrigo: “Concierto de Aranjuez”

Some introductory remarks on 19th-century guitar performance practica

An Unknown French Song by Fernando Sor in Sweden

The Guitar in Sweden Until the Middle of the 19th Century

Hillbilly music and the roots of Bluegrass guitar

El fenómeno de la tuna historia y presente

Música y cultura en el Brasil del s.XVIII

Tonadas sobre la muerte del Inca Atahualpa.El códice Martínez Compañón

Aspects of interpretation and improvisation in the performance of brazilian guitar music

Agustin Barrios Mangore:A study in the articulation of cultural identity

Alcances a dos estudios sobre la música española e hispanoamericana de los siglos XVII y XVIII

Organología medieval: Las Tablas de San Millán

Construcción de instrumentos musicales en el Virreinato de Perú vínculos y proyecciones con Santiago de Chile

Baroque music performance: “Authentic” or “Traditional”

Los fandangos en la época colonial en Ecuador

Las agrupaciones instrumentales de la colonia de Santiago de Chile

El ingenioso hidalgo don Quijote de la Mancha. Conceptos, formas e instrumentos musicales

A History of Bluegrass Guitar in Western North Carolina

Luigi Rinaldo Legnani: His life and position in European music , with an annotated performance edition of selections from 36 Capricci Opus 20.

Elements of Symmetry and Flamenco Tradition in Loris O. Chobanian’s “Concerto del Fuego”

Un Códice peruano colonial del siglo XVII. La música en el Perú colonial

The early guitar in Paris: A comparative study of the music of Adrian Le Roy and Guillaume Morlaye

The Arrangements of Roland Dyens and Sérgio Assad: Innovations in Adapting Jazz Standards and Jazz-influenced Popular Works to the Solo Classical Guitar

El Son Jarocho en Méjico

The influence of Flamenco on the guitar works of Joaquin Turina.

From the blues to hip-hop

The Musicologist Behind the Composer: The Impact of Historical Studies upon the Creative Life in Joaquín Rodrigo’s Guitar Compositions

Little Dots:A study of melodies of the guitarist Frank Zappa

Charlie Christian (1916-1942)-Jazz Master